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Here comes another worthy artist from the All Natural camp! Producer, songwriter and emcee, Proh Mic, one third of The Hawthorne Headhunters is readying fans for his upcoming release, Rhythm For Days (10-25-11) with an electro funk-styled dance track titled Hit The Floor. A head bobber and body mover for sure, there's no denying it grabs your attention once the needle drops or mp3 plays.
Added to enrich the track even more is the soulful gritty vocals of my dude Coultrain and Cali emcee, Uncle Imani from The Pharcyde. Rhythm for Days is expected to be more dance orientated (not that corny watered down techno crap) unlike his past works which display various soul, hip hop, jazz and eclectic styles of music. As an entity of his own, I just got hip to him last year, so I can't speak heavily on him. However, as long as he continues to craft dope music like this and that which I've come to know, I'm a fan for life.
Not taking anything away from the Midwest vibe (which I'm a huge fan of), but this joint sounds 90's East coast like a mutha. I absolutely love it! Tall Black Guy delivers this exclusive remix the only way he knows how - PURE DOPENESS! Alongside his cohorts, The Primeridian and fellow label mate, Adad, fresh of the heels of their Darling Lure debut, they keep it moving with this sure shot smash. The original "Live From the Belly" featured on The Primeridian's mixp3 "Da Crack a Dawn". Rock it 'til the end and peep how TBG easily blends the hypnotic horns played by Simeon Viltz to close the track out. And if this isn't enough for ya, mellow out to this ooh so smooth joint that I came across via GS. Amazing my dude!
"Darling Lure" available to purchase from itunes now!
In the 95' hip hop classic, "Survival of the Fittest" by Mobb Deep, Prodigy leads off by stating "There's a war going on outside/no man is safe from..." and although he was talking about life in the streets, these words couldn't be any truer when looking at the war being fought within the music industry. Entertainers of all facets are faced with the evils that exits throughout, and sadly to those on the outside who admire the glitz and glamour - it's not so very appealing. And since so many of the popular ones are leaders along with radio and media programming praying on the minds of children and adults alike, there grows a cultish like community that seems sometimes unavoidable and impenetrable.
Having said that, there are forces of good putting in work to set a new standard and give the world something of substance. In steps the three man collective known as Darling Lure. Now if you're a fan of this blog or frequent from time to time, you'll find quit a few posts about producer, Tall Black Guy. The architect behind the soundscapes of Eighties Babies, BlacKeys/Circle of BlacKeys a plethora of instrumental projects and remixes, and now the mastermind behind the boards contributing to the illustrative verbal paintings of emcees Race & Simeon Viltz of The Primeridian.
Yesterday (9-13-11) marked the release of their self-titled debut album, Darling Lure - an assorted gem filled collection of 13 tracks addressing good times, spirituality, Chicago life, attack of the "real", domestic relations and much more. Joined by a few Chicago comrades and other respected artists from cities beyond, Darling Lure presents a cohesive project with the perfect balance of hypnotic beats and substantial rhymes to have the album in heavy rotation.
Since yesterday up 'til now, I haven't listened to anything else (w/the exception of some meditation music). I did that primarily to be able to review the album without bias. Now don't expect a breakdown of each song cause opinions will surely vary. But let me just start with the "Intro in The Mornin'" which opens the album with a highly interesting thought. Over what I think was inspired by the beat of Anthony David's, "Let me in," (maybe not), Tall Black Guy inserts two audio clips from a pastor and another speaker who both reveal a particular practice seriously plaguing pop culture - backwards and encoded messages that find way into the listeners subconscious causing them to believe or act out in ways not typical of ones normal behavior. Sounds strange? Well, it can also be very disturbing when you hear or see these messages played out for self. This intro sets the tone which in turn leads Race and Simeon to confront these practices without apology.
On tracks like "Change The Meridian" Race fires off on these candy land rappers who rhyme of false lifestyles stating: "Shell toes the only time you seen shells bro/and hell no these dudes and criminal or poppin' pistols the only time they pop lead/they was young poppin' pencils." No need to say names; just pick any one of your favorites and the sentiment fits. "Hang on" speaks to people of all life's and encourages them to hold on to those valuable lessons learned amidst the ignorance and wicked forever surrounding them.
Halfway through the contents lighten up a bit, bringing us to the stressless narrative, Whistle While You Work - the current fun spirited single from the project. You can peep the video for it here. Wasting no time shifting back to a more serious note, "Trust" ft. ADaD & G.G, with it's creepy like production touches on predators of innocent women and men who physically and mentally instill fear and harm upon them through various deceitful measures, but also to trust in God and the greatness you envision.
Closing out the album is "Love Hurts," a short tale of how a connection between two was formed right up 'til the time when things go wrong and trust is lost. Sad? Yes, but the jazzy vibe Tall Black Guy produces eases the pain one may feel as they travel down the path of their lost love.
Coming in at right about 50 minutes, I assure you, you will not be disappointed. Darling Lure is a great debut pairing two of the dopest indie emcees with an equally dope producer whose soul purpose is to bring quality and sincerity to a genre and market lead by quantity and deception. Give it a listen and support these brothers.
Darling Lure - Take U There ft Yaw, Iomos Marad & Uncle Imani of The Pharcyde